2010
From the Past Until Completion
Medium(s) Pen & Ink
Surface Support(s) Paper
Posted in Bestiary, Pen & Ink Drawings, Sidereal Geographies, Sketchbook
Throw Your Comb She’s Closer Now
Medium(s) Aquarelle, Gouache, Ink, Tea
Surface Support(s) Paper
Posted in Biomorphic Abstraction, Mixed Media, Tea & Ink Paintings
Tagged 2010
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Post a comment or leave a trackback. Anchor Mid-Synapse, Wait for Refuel
Medium(s) Aquarelle, Gouache, Ink, Tea
Surface Support(s) Paper
Posted in Mixed Media, Tea & Ink Paintings
Tagged 2010
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Post a comment or leave a trackback. Deserts Where Our Gods Could Fight
Medium(s) Aquarelle, Gouache, Ink, Tea
Surface Support(s) Paper
Posted in Mixed Media, Tea & Ink Paintings
Tagged 2010
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Post a comment or leave a trackback. 20-Minute Self-Portrait
This was an exercise in economy of draughtsmanship. What makes a drawing a portrait in twenty minutes? Which parts of a particular face require accurate representation in order to achieve likeness? They write books about this, but practice still beats four aces.
Medium(s) Graphite
Surface Support(s) Paper
Posted in Figure, Graphite Drawings, Sketchbook
Tagged 2010
Polar Hierophany
Surface Support(s) Panel
Posted in Biomorphic Abstraction, Mixed Media, Palette Experiments
Tagged 2010
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Post a comment or leave a trackback. From Us They Learned Bureaucracy
Medium(s) Aquarelle, Gouache, Ink, Tea
Surface Support(s) Paper
Posted in Biomorphic Abstraction, Mixed Media, Tea & Ink Paintings
Tagged 2010
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Post a comment or leave a trackback. Convulsions of an Eternal Species
Medium(s) Aquarelle, Gouache, Ink, Tea
Surface Support(s) Panel
Posted in Biomorphic Abstraction, Mixed Media, Tea & Ink Paintings
Tagged 2010
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Ridgely Schantz built 





















Electric Landlady
Electric Landlady • Dec 2010 • Ink, Aquarelle, Tea on Paper • 5″ x 5″(matted)
Medium(s) Aquarelle, Ink, Tea
Surface Support(s) Paper
Posted in Bestiary, Biomorphic Abstraction, Mixed Media, Tea & Ink Paintings
Tagged 2010, Portland, Private Collection
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